New technologies of the 60s The Beatles used in their recordings

introduction

The sixties was a decade of innovation which effected a lot of areas of interest.

Technologically, various new technologies were invented and many previous technologies became cheaper and  more affordable during the 1960s.

These technological advances, primarily related to computers and associated computer technology, were responsible for the collective progress of the entire world.

Among the new inventions were dynamic random access memory (DRAM), computer mouse, audio cassette and compact disk.

In this book, I will go through some new technologies/techniques of the sixties the Beatles used in their recordings, which influenced the way popular music was recorded.

Some of the effects they employed were sampling, artificial double tracking (ADT) and backwards recording.

Sampling

In music, sampling is the reuse of a portion (or sample) of a sound recording in another recording.

This technique is widely used in today’s pop music, along with other music genres.

Geoffrey Emerick the Beatles’ sound engineer explained:

“George… told me to record the section on a clean piece of two-track tape and then chop it into pieces, toss the pieces into the air, and splice them back together…  That’s why the solo is so brief, and that’s why it sounds almost musical, but not quite. At least it’s unrecognizable enough that EMI was never sued by the original copyright holder of the song.”

According to the Ian MacDonald’s book “Revolution In The Head,” the recording was most likely a 78rpm record of “Le Reve Passé,” a composition by Georges Krier and Charles Helmer from 1906.

Artificial double tracking

Artificial double-tracking (ADT) uses tape delay to create a delayed copy of an audio signal which is then combined with the original. The effect is intended to simulate the sound of the natural doubling of voices or instruments achieved by double tracking.

ADT can be heard on the vocals on “Eleanor Rigby” for example.

Backwards recording

Another key innovation was the use of backwards recording. This had actually been first used in the song ‘Rain’. The backwards vocals which ended Rain were recorded on 14 April 1966.

“Revolver very rapidly became the album where the Beatles would say ‘OK, that sounds great, now let’s play it backwards or speeded up or slowed down’. They tried everything backwards, just to see what things sounded like.” – said Geoff Emerick.

With that innovation came the stupid conspiracy theory..